Anita Krajnc

Anita Krajnc

by | Apr 23, 2020 | Contemporary, Photo Interviews

Bringing the world together to bear witness

Anita Krajnc looks through the fence to animals being unloaded at the slaughterhouse. Canada, 2015.

Anita Krajnc. Canada, 2015.

To get Anita Krajnc to talk about herself can be a challenge. The Toronto-based activist and founder of the now-global Animal Save Movement (formally called The Save Movement), would much prefer to quote Tolstoy, Gandhi, or Mark and Paul Engler, than talk of her own achievements in animal advocacy. She’s no martyr, just modest, and much more focused on the ethics and fundamentals of animal rights, and the inner working of society and social justice movements. And when it comes to the creation of the Animal Save Movement, which now spans about 900 chapters, branching beyond Animal Save into Climate Save and Health Save factions, Krajnc, no surprise, gives much of the credit to her dog.

Anita Krajnc holding a sign during a Toronto Pig Save vigil. Canada, 2013.
Actor Joaquin Phoenix joins Los Angeles Animal Save activists at a vigil. USA, 2019.

Long before creating the first Save chapter, Toronto Pig Save, Krajnc says it was during her time as an undergraduate at the University of Toronto (U of T) in the early nineties, when she first became involved in animal activism. “I saw this poster for The Animals Film,” she says, a 1981 documentary about the use of animals by humans. She watched it with about twenty other people in a basement library at U of T, she says “and I couldn’t believe it. I had nightmares for three days. Then I became a vegetarian, and then an activist.” She soon became president of Students for the Ethical Treatment of Animals, and collected data about the number of animals being used at U of T, “which was about fifty thousand vertebrates, a lot of animals,” she says, to provide to media and the ombudsperson. “That was one of the first campaigns I worked on.”

Anita Krajnc during Veggie Pride Parade in Toronto. Canada, 2015.
Anita Krajnc and fellow activists during Veggie Pride Parade in Toronto. Canada, 2015.

In the following years, Krajnc earned a master’s degree in political science and environmental studies, and a PhD in politics. She got involved in environmental activism alongside her sister – a long-time animal and environmental activist – earning her first arrest in 1993 at Clayoquot Sound, BC, during the “War in the Woods” anti-logging protest, then again in 1997, working with Greenpeace.

Krajnc then began working in academia, including at Queens University in 2006, where she eventually went vegan after watching the 2000 documentary The Witness, and started investigating the veal industry. “I actually didn’t know the veal industry was connected to dairy,” she says.

She then organized screenings at Queens, of the 2004 documentary Peaceable Kingdom, about farmers who refused to kill their animals, and she incorporated animal rights into each course she taught. “Every course! So in Intro to Canadian Politics, for example, I would have a week on social movements and a case study was the animal rights movement.”

At that point she says animal rights had permeated everything she did.

Anita Krajnc photographs chickens during a Toronto Chicken Save vigil. Canada, 2013.
Actor Joaquin Phoenix joins Anita Krajnc and Animal Save Movement activists in Toronto for a tour of the Be Fair Be Vegan subway ad campaign. Canada, 2019.

Catskill Farm Sanctuary founder Kathy Stevens bearing witness with Toronto Pig Save. Canada 2013.
Slaughterhouse employees force Anita Krajnc away from the gates. Canada, 2015.

“Like most of us, once we start learning about the issue, it becomes a core. It’s what we really want to do. We have other jobs, but what we really want to do, to talk about, is animal rights.”

This all-encompassing passion is what led Krajnc down the path that would land her, in 2006, face to face with the pigs who would change everything.

A pig in a crowded truck. Canada, 2011.

“Before bearing witness I was an activist, but it never occurred to me to go up to the slaughterhouse and look at the pigs,” she says. Though she could actually see the former Quality Meat Packers slaughterhouse on Lakeshore, from the streetcar on Bathurst, she says she never went to check it out. “It just never occurred to me to walk there,” she says. “But in 2010, when we adopted Mr. Bean, the dog, [whom is now named co-founder of the Animal Save Movement], I would walk him every morning there, and that’s when we saw the trucks.” Krajnc says she finds it interesting that the origin story of the Animal Save Movement begins with an animal. “One hundred percent if I had not adopted Mr. Bean, I wouldn’t have done it [created the group].” And what Mr. Bean led her to that day, were pigs, looking at her, she says, “out of the portholes, and I couldn’t believe it. I couldn’t believe how beautiful the pigs were, how scared they were, and how unjust it was.”

She calls the moment an epiphany. “I had had a prejudice, or misconception,” she says.

“I thought all pigs were the same, but they aren’t, once you come close to them and look at them. And that’s true for any animal; they’re all individuals. And one day I saw seven or eight trucks and I said, ‘That’s it, we’re gonna start a group.’”

Pigs in a transport truck en route to slaughter. Los Angeles, USA, 2019.
Anita Krajnc with Esther on Esther’s first day at Happily Ever Esther Farm Sanctuary. Canada, 2014.

Inspired by the altruistic work of Tolstoy and Ghandi, whom she was studying at the time, Krajnc says she felt compelled to take action. “I thought, I’m just an ordinary person, but if they took the time out and organized in their own communities, then I must.”

And what Krajnc felt she must do – after a few months of figuring out their strategy, doing fundraisers and art shows and investigations– was to bear witness. She quotes Tolstoy:

“’When the suffering of another creature causes you to feel pain, do not submit to the initial desire to flee from the suffering one, but on the contrary, come closer, as close as you can to he who suffers, and try to help.’ That’s where we got the definition of bearing witness. You have a choice: you can flee, or you can come close and try to help.”

Los Angeles Animal Save activists giving water to pigs en route to the slaughterhouse. USA, 2019.

Krajnc says bearing witness of animals on transport trucks headed into slaughter is “an aha moment, it really changes you.” And once she experienced it herself, she knew it was something the rest of the world had to see. “Everyone needs to be face to face, to touch the animal,” she says. “Everyone needs to do this. Because if they see this they wouldn’t participate in evil.”

Anita Krajnc with supporters, after the court case against her for giving water to thirsty pigs in transport. Canada, 2015.
Anita Krajnc, after the court case against her for giving water to thirsty pigs in transport. Canada, 2015.

Krajnc brought perhaps the most attention to the growing Animal Save Movement in 2015, when she was arrested for providing water to a thirsty pig on a hot truck. What would later be dubbed #PigTrial made international headlines, sparking debates and commentary never considered before. The charges were dismissed in 2017, in the precedent-setting case that would set the tone for subsequent dismissed cases against animal activists in Canada and the United States.

Thirsty pig on transport truck is given water by Melbourne Pig Save activist. Australia, 2017.

The name Toronto Pig Save originally came out of a conversation between Krajnc and her best friend, as they sought something inviting, something others would want to join. “It’s such a great name, so positive,” she says, ‘Save,’ it’s such a beautiful word.” And it turned out, she says, to be a good name “to adapt for all different cities.” And adapt they did, to now not only including about 770 different chapters around the world focusing on a variety of animal species, but further branching into Climate Save and Health Save movements.

Anita Krajnc with a rescued cow at Farm Sanctuary. USA, 2013.
Burlington Pig Save vigil. Canada, 2018.
Pig Save photographs and posters are hung on a chain link fence visible from the street. Canada 2013.

For Krajnc, however, this is still not enough.

“We bear such a burden knowing what is happening with these billions of animals –trillions of animals with fish– every year, and then on top of that we have this looming climate crisis.”

Today, Krajnc believes Greta Thunberg is the most important person on earth, and she is working with climate activist group Extinction Rebellion, engaging in acts of civil disobedience.

And thus, the seasoned activist, academic and philosopher continues to witness, to disrupt, and to inspire others to change — for animals, people, and the planet.

 

Photos by Jo-Anne McArthur. Interview and story by Jessica Scott-Reid.

Jessica Scott-Reid is a Canadian journalist and animal advocate. Her work appears regularly in the Globe and Mail, New York Daily News, Toronto Star, Maclean’s Magazine and others.

 

Narrated by Anita Krajnc, this short film from We Animals Media tells the story of bearing witness and animal advocacy at slaughterhouses in Toronto during a 24-hour vigil in 2015, wherein amidst the horror, a small miracle took place.

Carol J. Adams

Carol J. Adams

by | Mar 13, 2020 | Contemporary, Photo Interviews

A pioneer of animal advocacy & trailblazer in women’s rights

Writer Carol J. Adams at her desk. USA, 2015.

​From her study near Dallas, Texas, tucked within stacks of notes, files, and various translated editions of her books, author and activist, Carol J. Adams, talks of a time when her work was not so well-received. Between faint barks from rescue-dogs Inky and Holly, Adams speaks of how her now-famous book, The Sexual Politics of Meat, was widely ignored upon first publication, and how “80% of the reviews were negative,” she says. “I mean really, feminist vegetarian theory,” she jokes, “what does that mean?” Of course Adams, and much of the rest of the world, couldn’t know then just how much her work would come to mean, in both the women’s and animal rights movements.

And today, Adams is being celebrated for the 30th anniversary of The Sexual Politics of Meat, as a pioneer of animal advocacy, and a trailblazer in women’s rights.

Carol on her front porch with rescue dogs, Holly and Inky. USA, 2015.

Long before Adams was a well-known author, she was a child of the fifties and sixties, one of three sisters, living in a small village in western New York State, along with some dogs, cats, a horse and a pony. In her tween years, Adams says she and her friends were very involved with their equestrian companions. “During that time there was so much pressure [for girls] to conform, and we suddenly had a group of girls who were all riding ponies and horses,” she says. “It was very physical engagement,” during a time when female athletics were not so supported. And on hot summer days, Adams says she and her friends would lay on their animals’ backs beneath the shade of a willow tree, “and we would just talk,” she says. “I think it was such a deep experience.”

Though raised a feminist and nurtured to be an activist, Adams points to one distinct incident that started her down the path of merging movements. It happened after she returned home from her first year at Yale Divinity School in the 1970’s, in what she describes as an unsuccessful search for her life’s purpose. “I was unpacking, and there was a knock at the door. It was someone I had never met before, and he said ‘someone has just shot your pony.’” Barefoot, Adams ran through an apple orchard to reach her pony, Jimmy. “We could hear gunshots in the distance,” she says. “It turns out there were two teenagers target practicing in the woods,” who she believes accidentally killed Jimmy.

Adams calls the incident traumatic, but says it was that night when her world truly shifted. Her father suggested she go to a local grocer to have hamburger meat prepared. “We went and got the hamburger made, then we came home and cooked the hamburger. And when I went to bite into the hamburger, I stopped and thought: what am I doing? This is a dead cow. And Jimmy’s lying dead in the pasture, yet I’m going to eat a dead cow? So is it only animals I don’t know that I would eat? So aren’t I a hypocrite?” At that moment, Adams says she put the hamburger down, and knew she had to become a vegetarian.

Through her continuing years in academia, studying feminist theory in the 1970’s, Adams lived among other feminists who were vegetarians, and soon she says, started seeing connections between the two schools of thought. “I thought ‘Wow, look at all these connections. There are all these feminists who were vegetarian; and look at these novels, look at Margaret Atwood, Marge Piercy; look at these theories, books about patriarchy and violence,” she says. She then put it all together:

“There is a connection between patriarchy and eating animals, and feminism and vegetarianism.”

In that instance of realization, she says, while walking down Massachusetts Avenue in Cambridge, Adams nearly levitated off the ground.

After penning an essay on the topic, which was later published, with much fanfare, in the Lesbian Reader anthology, it was then suggested to Adams that she turn it into a book. She then spent time interviewing, connecting and writing, but after completing her first draft, was not satisfied. “Something was lacking,” she says. Though the connection was established, she had yet to come up with a theory. “I said to myself, ‘Carol, you’re really only going to have one chance at making this claim.’” So she withdrew the draft. Then once again, she went home.

Adams joined her mother working in various grassroots advocacy endeavours, fighting racism and housing discrimination, starting a hotline for battered women, a soup kitchen and a second-hand store, all while continually trying to write the book. “And what is so clear,” she says, “is that all that activism helped me be a better writer,” in particular, she says, “to recognize overlapping oppressions.”

But it wasn’t until Adams then read the book, Bearing the Word: Language and Female Experience in Nineteenth-Century Women’s Writing, by Margaret Homans, that she was finally led to the theory she was seeking. “She introduces this literary concept of the ‘absent referent,’ and I thought, well that’s what animals are, they are absent referents in meat eating. That’s what happened when Jimmy was killed. The cow was no longer an absent referent to me. I didn’t understand that. But I experienced it.” And the next morning, Adams woke up and realized, “and that’s what women are too, in a patriarchal culture, the absent referent.”

The Sexual Politics of Meat: A Feminist Vegetarian Critical Theory by Carol J. Adams.
The Sexual Politics of Meat has now been translated into nine different languages.

Adams was then ready to write her final draft of what would become The Sexual Politics of Meat: A Feminist Vegetarian Critical Theory, which would later be translated into nine different languages, and is today considered more relevant than ever. Adams has also since published dozens of other highly regarded books, including Burger, Protest Kitchen, Neither Man Nor Beast, The Pornography of Meat, Prayers for Animals, and others.

As for the evolution of The Sexual Politics of Meat over time, Adams says, the book is now an entity all of its own.

“The book was within me, and now the book is not within me. For thirty years it’s been out in the world doing its work. And every once in a while it’s like the book writes back to me in the form of a human being who has read it and been touched by it. But the book is something separate from me now.”

“However that book works to help people move along in consciousness,” she says. “I want it to continue to do that, until it is not needed.” And when asked what a world no longer in need of her book might look like for women, Adams replies: “There would never be a need for a ‘Me Too’ moment again. Patriarchy would be eradicated.” And for the animals: “Western, racist, patriarchal culture and ethics create the environment for seeing other beings as disposable, usable, edible. So then if we eradicate that racist, patriarchal, western mindset, we will have eradicated the instrumentalization of other animals.”

Photos by Jo-Anne McArthur. Interview and story by Jessica Scott-Reid.

Jessica Scott-Reid is a Canadian journalist and animal advocate. Her work appears regularly in the Globe and Mail, New York Daily News, Toronto Star, Maclean’s Magazine and others.

Invisible

Invisible

by | Feb 25, 2020 | Contemporary, Video

“People need to see it.”

‘INVISIBLE’ follows two undercover investigators, ‘Emily’ and ‘Sarah’ (their names have been changed to protect their identities), on a pig farm investigation in Europe, offering the viewer an unprecedented glimpse into a world that is deliberately and painstakingly covert.

In a ‘double-life’ kept secret from their day jobs and family lives, Emily and Sarah choose to visit and document the stark and often brutal conditions of farms and slaughterhouses to bring attention to the suffering inherent in animal exploitation.

As darkness falls and the investigation unfolds, Emily and Sarah reveal what drives them to leave their loved ones in the night, the emotional impact of documenting animal cruelty first-hand, and how their friendship allows them to continue carrying out such traumatic work in spite of the psychological cost.

Finally, the evidence gathered and the investigation complete, they leave without a trace – invisible.

Directed by Chris Shoebridge

What inspired Chris to tell this story?

“In 2009 I saw undercover slaughter footage for the first time, and it changed the course of my life. This profound shift happened only because an investigator – an anonymous activist who I will never know nor ever be able to thank – risked their safety and freedom to expose the reality of our relationship with animals. Many of us owe a similar debt to undercover investigators, but how often do we think about what they risk, and what they sacrifice? Do we even know what it takes?

 

While I believe we must be mindful to centre the animals in our activism, I believe it is also important to celebrate the work of those whose passion and bravery drive our mission forward. Not just to honour those people but also, hopefully, to inspire such passion and bravery in others.

 

While Emily and Sarah are just two of the invisible women who make our movement possible, this film is a broader ‘thank you’ to every undercover investigator who has taken risks to help animals, and to every woman who has never received the recognition she deserves yet without whom our movement simply could not exist.”

Africa Network For Animal Welfare

Africa Network For Animal Welfare

by | Jan 28, 2020 | Contemporary, Photo Interviews

Africa Network For Animal Welfare

Working with communities and governments across Africa to promote humane treatment of all animals.

 

Photographs by Jo-Anne McArthur.
Interview and text by Corinne Benedict.

Africa Network For Animal Welfare

 

Photographs by Jo-Anne McArthur.
Interview and text by Corinne Benedict.

The sun is still high in the sky. It’s not even 1 p.m., but already, this foot patrol has found and removed 29 snares from the red-dirt grounds of Kenya’s Soysambu Conservancy. 

Snare Removal Work in Soysambu Conservancy northwest of Nairobi. Kenya, 2016.

The Africa Network for Animal Welfare (ANAW), regularly scours this 190 square kilometre ranch, along with other conservation areas where snares are common. To outsiders, it can seem like searching for a needle in a haystack, but Helen Jerotich, Catherine Chumo, Eunice Robai and the rest of their small group are pros. 

ANAW team member holding snares. Kenya, 2016.

ANAW team member holding snares. Kenya, 2016.

“The neighbouring communities are the ones who come and put the snares,” explains Jerotich, who removes the makeshift wire traps so routinely that today she’s doing it in office attire: a button-down shirt and nice earrings.

“They sneak in and use snares to get meat. It’s more for commercial. Buffalo or zebras are killed and then transported to neighbouring butchers.”

Gazelles, giraffes, and even lions are also common here.

Helen Jerotich searching for snares.

The sheer number of snares that are uncovered, even when they’re empty, can be heartbreaking.
Far worse is when ANAW finds an animal that has been injured or killed, which they often do. Wounded animals are usually darted and sedated. A veterinarian then determines whether the victim will heal or needs to be euthanized. 
ANAW’s Sebastian Mwanza recalls one of the worst cases he’s seen on the job – a zebra who’d been snared and badly hurt. Her wounds weren’t survivable, so the team prepared to euthanize her. As they did, her herd stood at a distance and watched.

One zebra, a baby, stood closer, waiting for what Mwanza assumed was her mother to get up. 

“That was very bad,” he says. “Very, very, very bad.”

Snare-removal at the Soysambu Conservancy.

ANAW team members search for snares.

Giraffes at the Soysambu Conservancy.

ANAW team member Eunice Robai.

The only good snare, of course, is the one never set. This is why ANAW’s de-snaring efforts make up only a small part of the organization’s work. Founded in 2006 and based in Kenya, ANAW collaborates with communities, governments and a range of partners across Africa to promote the humane treatment of all animals, from wildlife to farmed, working, and companion animals. 

ANAW’s education and awareness-raising efforts include animal welfare clubs in local schools, a regular magazine, Animal Welfare, and campaigns against bush meat. The organization has also achieved important policy and legal victories, hosts local and international conferences, and runs vaccination and veterinary care clinics. 

Helen Jerotich holding a snare.

It’s hard work in a country where the vast majority of people haven’t been brought up to value animals’ lives, viewing them as here merely for human use, says Chumo, who is ANAW’s information officer. Also a journalist and writer, she started at ANAW years ago as a volunteer and loves the job. Her father was a conservationist who instilled in her a love of animals and the environment.
Markings from where snares had been previously attached to the tree.

For most Kenyans, though, “animals come last,” Chumo laments.

She and the rest of the ANAW team dream of a day when their efforts to change minds mean they’ll no longer have to patrol for snares. 

Until then, they’ll continue, one foot in front of the other. 

Learn more and support ANAW here. 

Hilda Kean

Hilda Kean

by | Dec 17, 2019 | Contemporary

Open Your Eyes and See the History All Around You: The Importance of Knowing Our Activist History

It is no exaggeration to say that Hilda Kean set me on the path I am on today. Well, to be more specific, one of her books did–it would be several years until I would actually meet Hilda Kean in person! When I was a graduate student in the early 2000s my research was situated in environmental studies but, at that time, the idea of studying and thinking critically about animals was still quite separate from the scholarship being done in environmental studies. I found this somewhat strange and a little frustrating, but then I came across Hilda Kean’s Animal Rights: Political and Social Change in Britain Since 1800. This was the first time that I had read the work of a writer who had taken human-animal relationships seriously as a subject of cultural and historical research. Her influence has been enormous, not just on my own work, but on the fields of animal studies and human-animal history.

For this interview, I arranged to meet Hilda Kean a few summers ago at a vegan cafe in Brighton, UK. When she arrived, she told me that she had almost missed her train because she had awoken to discover a fox in her house that morning! “I don’t see why some people are frightened of foxes,” she calmly said as she recounted the details of what had transpired that morning.

The fox Kean found in her house that morning.

Hearing Kean talk about her encounter with this fox reminded me so much of her writing. In both cases her narrative is framed by a compassionate yet critical inquiry. Her work is grounded by a real concern for thinking about the actual lived experiences of individual animals and she resists historical understandings of human-animal relationships that are informed by clichés or symbolism.

For instance, in one of her recent books, The Great Cat and Dog Massacre: The Real Story of World War Two’s Unknown Tragedy, Kean went to great lengths to learn as many individual stories as she could after the 400,000 cats and dogs in Britain that were killed by their owners at the outbreak of the Second World War. In telling these stories she moves beyond the standard tropes typical in narratives about both this war and of human-animal (and animal-human) bonds. Her meticulous research is grounded in actual events and testimonies and, as such, complicates the narratives we like to tell ourselves about our historical relationships with our companion animals. This is an uncomfortable history and Kean does not shy away from telling it.

Likewise, Animal Rights is a book that looks at the complicated history of animal advocacy in Britain. Kean’s motivation for writing Animal Rights grew out of a sense of frustration about the lack of awareness of activism in previous historical periods.

“It is important to acknowledge that in Britain campaigns for animal rights and animal welfare go back at least to the late 18th and early 19th century,” she stresses. “So, if you like you can say you don’t agree with these ideas, but you can not say that these ideas came from nowhere.”

“These things did happen and they were important.”

Kean underscores how important it is for activists of today to know that “these ideas have not just come out of thin air.” Anti-vivisection, in particular, has a long and complex history in places like Britain, and it was women who were often on the front lines of these fights. Recognizing the work of these reformers from earlier historical periods is important, Kean feels, not only to give credit where credit is due, but also to allow us to take a broader historical perspective on animal advocacy. This can help reframe some of our current struggles to change the world for animals. Kean acknowledges that as we look to this history and realize that some of the fights we are fighting today were also being fought by previous generations of activists it can be “somewhat depressing” at first glance. But Kean stresses that knowing this history also “places things in a broader context of time” to allow us to see how the “ideas and campaigns have been worked through, modified, and emphasized in different ways. They have had some successes over a period of time.”

As a historian, Kean feels it is important to take the full messy, complex narratives of animal advocacy into account. Looking to the past only as a source of “inspirational stories…implies that there were only successes.” There have been, of course, changes for the better. Kean points to the status of companion animals as an example of this, noting “that their lives are better now than they were say in the early 1800s or even in the early 1900s.” With farmed animals, however, she is concerned that things may be “much worse than they were 100 years ago, that moving animals away from fields to inside” has caused even greater concerns for activists.

While Kean is pleased to see so many people working on animal studies topics within academia in recent years, she also sometimes finds it frustrating that this academic work can often be incredibly “esoteric” and seemingly removed from actual animals. For Kean, animal studies is much more than an “academic exercise” and she finds it “quite shocking” that there are some working in this field who “apparently have no interest in living animals.”

Kean also stresses the importance of historians getting up from their desks.

“I don’t think history is all about somebody sitting in a library and writing notes and getting it published in the most prestigious peer-reviewed journal. It is also important to actually look at what is going on in the world.”

Kean embodies this perspective in her own work. For example, during the time she was writing Animal Rights she remembers reading comments in a newspaper that ridiculed animal rights activists who had been protesting the selling of live lobsters. She recalls that the comments were along the lines of “Where do these mad people come from? Fancy doing this about lobsters!” As she was reading about this protest and the public response to it, she couldn’t help but think about the 1829 pamphlet she had found during the course of her research. This pamphlet was “published by what was then the SPCA. It was a campaign about lobsters and the cruel way that lobsters were boiled alive.” As she read the newspaper coverage of the protest in the late 1990s the connections between the 19th century protest and the 20th century protest were obvious to her. “When I’m reading something like that in the newspaper, I’m relating that in my head to other things I’m doing. And it makes me think ‘I have to do something.’ I don’t mean that I have to write to the newspaper necessarily, I mean, I will do that, but it is more around thinking about how to argue the importance of knowing the history of animal rights activism.”

While Kean is passionate about the history of the animal advocacy movement, she is also firmly rooted in the present moment, and keeps a sharp eye out for ways in which human-animal histories remain part of our current environments. “I just see things in the environment that catch my interest.

“I sometimes notice things others don’t because I think most people run around with their eyes shut.”

Walking, looking, and noticing details such as statues or monuments featuring cats, dogs, horses, or other animals are an important part of Kean’s research methods, and her impressive list of published writing on human-animal histories is a testament to how astute she is at this practice. She also spends a lot of time talking to people, asking questions, and thinks critically about how animals and humans would have interacted in previous spaces.

Understanding this kind of context is at the heart of the work that Kean does. For instance, she discusses the Old Brown Dog memorial, a highly controversial monument dedicated to a dog who was killed in a vivisection laboratory in 1903. During the early 20th century this memorial statue became a touchstone for ongoing debates about animal experimentation until the decision was made to remove it from the Latchmere gardens completely. In 1985 a replacement statue was placed in nearby Battersea Park, but, as Kean points out, the new statue was within the park and this was significant. The placement of the original statue was highly political. As Kean notes, it was “in the middle of a model housing estate for workers. This was a socialist area at the time. So, the location of the statue very much brought across the politics of it, the alignment of ordinary people and animals.” This historical connection is not immediately apparent with the new memorial statue having been placed there just before the demise of the socialist Greater London Council (GLC). This is the kind of attention to detail that informs all of Kean’s work.

“We need to consider these things in their social and cultural contexts.”

When I asked Kean about the kind of advice she would give other writers and scholars who want to make a difference for animals, she replied that “it is really just thinking about what you want to do, and if you want to do things that privilege the position of animals, you just do it.” I couldn’t agree more.

Thank you, Hilda, for all you have done for animals and for the field of animal history.

 

Images courtesy of Hilda Kean, Rosa Harvest and Jo-Anne McArthur. Interview and story by Keri Cronin.

Ondine Sherman

Ondine Sherman

by | Nov 24, 2019 | Contemporary, Video

Ondine Sherman is a tireless and trailblazing animal advocate. In 2004, Ondine teamed up with her father Brian Sherman to co-found Voiceless, which has since grown to become one of the most prominent animal protection and animal law organizations in Australia. In addition to Voiceless, Ondine is a full-time mother of three and has published a memoir about her journey with her twins who have disabilities​, as well as three young adult novels with prominent themes of animal activism.

Unbound filmmaker Kelly Guerin visited Ondine at her beautiful home in Israel, surrounded by adoring rescue dogs and former battery chickens. As Ondine is uniquely poised to share insight into balancing activism and motherhood, she shared with Unbound how she has been able to dissolve the seemingly rigid lines between the two, and continue to change the world for animals.

Learn more about Ondine’s work and books.

Filming and editing by Kelly Guerin.